One of our highlights is the handmade production of outboard, all built with a great attention to details to achieve a warm, accurate sound, 100% analog.
A few names of technicians who bought our equipment?
Maestro Fio Zanotti (Celentano, and many others), Chris Manning (Metallica, Jellyfish), Marco Borsatti (Vasco Rossi, Pausini, etc …), Luciano Luisi (Ligabue), Foffo Bianchi (Elio e Le Storie Tese).
All Discrete Preamp, 2 channel
DM1 is a 2-channel preamp in class A. Each channel has mic input and line-input. On the front there is also a DI for high impedance signals such as guitars or bass. It ‘full-10db pad, phase reverse, 48V phantom power for condenser microphones.
The DM1 ensures an extremely warm sound and thick, british 70s style. His tone is unmistakable vintage and you can find it on most productions that made music history.
Machines with similar characteristics: 1073DPA snow, Brent Averill 1272, Chandler LTD-1, Vintech Dual 72.
Source impedance
Microphonic 1200 ohm
DI 2M ohm
Line 5k ohm
Frequency Response
60dB gain into 600ohm 20Hz to 20Khz
+/- -0,5dB
60dB gain into 600ohm 20Hz to 40Khz
-3dB
EIN
Mic 70dB gain <-125dB
THD+Noise
+20dBu into 600ohm <0.07%
50Hz to 10KHz
€ 1.790,00 (VAT included)
Stereo Bus Compressor
DM2 is a stereo bus compressor / limiter stereo,with transparent sound, very accurate and with an amazing stereo image. Suitable especially for master and sub masters. Is used with excellent results even in parallel compressions.
The controls on the front are: Threshold, make-up gain, ratio (1: 2, 1: 4, 1:10), Attack (0.1ms, 0.3ms, 1ms, 3ms, 10ms, 30ms), Release (0.1ms, 0.3ms, 0.6ms, 1.2ms, Auto) and side-chain filter (60Hz, 90Hz, 130Hz, 200Hz).
Machines with similar characteristics: SSL G series stereo compressor bus, Smart Research C2.
Conditions
Source impedance 50 ohms unless otherwise stated.
Noise
Noise < –90dBu Headroom Headroom is defined at the output level at which THD exceeds 1%. Headroom > +28dBu output level, 20Hz to 20kHz at 0dB gain
Frequency Response
20Hz to 20kHz ±0.2dB (–3dB @ 100kHz)
THD + Noise
Gain +0dB, input level +4dBu. Compressor switched out. 20Hz to 20kHz (80kHz filter) < 0.008%, typically 0.005% Gain +0dB, input level +20dBu. Compressor switched out. 20Hz to 20kHz (80kHz filter) < 0.01%, typically <0.006%
€ 1.590,00 (VAT included)
Classic Vintage Compressor
FET COMPRESSOR is a one channel compressor / limiter. His sound has become a “classic vintage” after years of use in many and famous music productions such as, for example, used on vocals in the best-selling album of the history Michael Jackson’s Thriller.
FET compressor is particularly aggressive and gives greater presence and warmth to the track on which it is applied. Particularly suitable on snare drums, vocals, guitars. Fet Compressor has the NUKE option, reproducing the old style aggressive compression. It comes equipped with balanced XLR input and output, Vu-Meter with a switch to observe the output level or gain reduction caused by compression. It occupies one rack unit and is produced in black colour.
Machines with similar characteristics: UREI 1176 (Revision G), Purple Audio MC77, Empirical lab Distressor.
The kit comes complete with ALL the parts needed to assemble the compressor, including Cinemag audio transformer, the chassis with the front screen-printed, a made in Italy toroidal transformer). It lacks only the power cable to run the internal connections.
Complete instructions are provided to assemble and calibrate; the assembly is very simple but it is recommended for those who already have a basic minimum of confidence with the electronics.
Dudemusic can NOT provide assistance on assembling and / or machine you assembled and presenting operational problems.
€ 1.490,00 (VAT included)
€420,00 (kit version)
Preamp + EQ, 2 channel
PAR400 is a dual channel preamp and equalizer, produced by Dudemusic on a MARCO BRUNETTI project. It has a class A preamp section, very clean and very fast on transients. Eq is a four full parametric with also a hi pass band. Eachchannel has mic input and line input, with -20db pad, phase invert, phantom power. PAR400 has Jensen and Cinemag audio transformers.
PAR400 sounds very accurate and hot, great also for recording hard instruments like snares, electric guitars, or really aggressive voices.
Microphone: balanced 150 Ω
Gain: 20-60 dB/Pad – 20 dB
Noise: -129,5 dbU (loaded 200 Ω)
Freq response: 20 ˜ 20000 Hz ± 1dB
Line: balanced 10 K Ω
Gain: ± 20dB
Noise: –90 dBu
Equalizer: ± 18 dB each with center detent
Bandwidth Q – 0,3 to Q – 5
Frequency ranges: 36-400Hz, 160-1 K8, 820-8 K5, 4 K7-20K
Hi-Pass: 12 dB/OCT
Frequency range: 31-320 Hz
Output: max out ˜ 21dBm (12 V)
Z out –600 Ω
Z source = < 20 Ω
Power:
115/230 V ac – 30 VA max
+ 48 v (switchable on rear panel)
connections XLR in/out, 1/4’ jack insert
€ 1.980,00 (VAT included)
